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The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

Featured article

Illustrated scene from The Relapse
The Relapse is a Restoration comedy from 1696 by John Vanbrugh, a sequel to Colley Cibber's notorious tear-jerker Love's Last Shift, or, Virtue Rewarded. In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. Vanbrugh planned The Relapse around particular actors at Drury Lane, writing their stage habits, public reputations, and personal relationships into the text. One such actor was Colley Cibber himself, who played the luxuriant fop Lord Foppington in both Love's Last Shift and The Relapse. However, Vanbrugh's artistic plans were threatened by a cut-throat struggle between London's two theatre companies, each of which was "seducing" actors from the other. The Relapse came close to not being produced at all, but the successful performance that was eventually achieved in November 1696 vindicated Vanbrugh's intentions, as well as saving the company from bankruptcy.

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John Barrymore
John Barrymore (1882–1942) was an American actor on stage, screen and radio. Born into a theatrical dynasty, he initially tried to avoid the stage, briefly attempting a career as an artist, but he soon followed his father Maurice and siblings Ethel and Lionel into acting. After beginning in light comedy, he moved to high stage drama, culminating in productions of Justice (1916), Richard III (1920), and especially Hamlet (1922), a role critics lavishly praised him for. After his stage career peaked, he turned entirely to cinema for the next 14 years, initially in silent films. His stage-trained voice proved an asset when sound films were introduced, and three of his works have been inducted into the National Film Registry. His personal life has been the subject of much attention before and since his death. He struggled with alcohol abuse from the age of 14, was married and divorced four times, and declared bankruptcy in his fifties. Much of his later work involved self-parody and the portrayal of drunken has-beens. A hugely influential actor whose talent still shapes Shakespearean acting today, his later career and private life were seen by the obituarists as a waste of a once-great talent.

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Elbert Hubbard
One can play comedy, two are required for melodrama, but a tragedy demands three.
Elbert Hubbard, from Little Journeys to the Homes of Great Lovers, 1906

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